Video Crossroads: VHS Tape: To Kill a Mockingbird (Widescreen)

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To Kill a Mockingbird (Widescreen) - VHS Tape

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To Kill a Mockingbird (Widescreen)

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VHS Tape - 24 February, 1998
Universal Studios
NR (Not Rated)
Availability: This item is currently not available.

Director: Robert Mulligan

Number of Media: 1
Features:

  • Black & White
  • Closed-captioned
  • Letterboxed
  • Original recording reissued
  • Special Edition
  • THX
  • Widescreen
  • NTSC

Related Areas: Drama, Feature Film Drama, Feature Film-drama, Movie

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VHS Tape Description

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defense of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbor Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon


Customer Reviews

Something new every time!

This is another rendition of an American classic. I had seen this movie and read the book in the past, so was there really anything new this time? We watched it as a school project for my daughter. She watched it as a teenager, my wife watched it as a teacher and I watched it as a lawyer and, for tonight, at least, a part-time tutor. We each saw something in it that we had not appreciated before. For me, the courtroom scenes were interesting, but I identified more with Atticus, the father, than Atticus the lawyer. No matter how often you have watched this in the past, you will find something new to admire when you watch it again. Never stop!


To Kill A Mockingbird

I got this and 3 other movies particularly for my "grand" niece so that she would be exposed to the great film classics of yesteryear. She loved every one of them. I rate this movie 5 stars!


A masterpiece that resonates as strongly today as ever

Perhaps somewhere in the very far future when African Americans and Caucasian Americans have finally learned to see each other as brothers and sisters and not a human of color, then looking back on this film will seem strange and wistful. Until that time, we can do no better than to sit down and read the book and then watch this perfect movie adaptation.

There are other great books and movies that cover the depression years in America. "Grapes of Wrath" comes to mind. Harper Lee's book and this film focus not on the displaced as much as how one person can rise to the occasion, show a strong moral spine and true courage. It would have been too simple to say that the film was about prejudice. Coming to the screen as it did during the rising cauldron of the Civil Rights movement, this film was a perfect mirror for the haunting specter that refused to shed its shadow over the south. In the aftermath of the ruinous Civil War, southern states, especially the Carolina's which led the revolt, suffered very badly during and after the war. In some places poverty and destitution never left the land. What did people do to get by in the depression era? Did they fall back on old ways and use scapegoats to satisfy the blame game? Certainly and that is where the story here begins.

The audience watching this film in 1962 was familiar with prejudice but rarely had it seen a white man treat an African American with respect and a resolute commitment to seeking justice. There are other sinister themes that rise to the surface. The implication of a daughter being beaten by a drunken father, the taboo of a white woman seducing a black man, the injustice done to a mentally handicapped man by shuttering him like a prisoner in his own home; these are all hot buttons that would have made an audience squirm and disquiet their comfort zones. Even more ugly was the false accusation of an honest man, a person that was expected to be found guilty even by his own peers simply because he was a visible minority; this was the deep south and prejudice was so widespread.

The richness of the story gives depth and detail to the lives of Atticus Finch and his fiercely independent children as they explore their lives. With several subplots swirling around the main trial, the audience is given constant stimulation in vivid colors of human drama. Shot in black and white and blessed with a superb script, one of the greatest male actors in the English speaking world, a sublime musical score by Elmer Bernstein, two child actors who were so natural that they became Atticus's children in a real way.....this film is iconic in American cinema and for so many good reasons. Perhaps Gregory Peck's greatest role, this film is unforgettable and has taken on a tinge of greatness that is entirely worthy of its craft. If you must own one Peck film, this is the one. As the saying goes, they simply don't make them like this anymore; what a pity.

 

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